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Winner

APART collective

Katarína Hrušková

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Nik Timková

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The Oskár Čepan Award

Archive

22. 12. 2017

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→ videoreport

17. 11. 2017

PechaKucha Night/Čepan Edition

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17. 11. 2017

Čepan weekend/Award ceremony

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3. 11. 2017

Who is Oskar Cepan Award

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1. 11. 2017

Exhibition of finalists

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29. 8. 2017

Nik Timková

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24. 4. 2017

Finalists of The Oskar Čepan Award 2017

→ News release

21. 4. 2017

Announcement of the Finalists

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17. 3. 2017

Jury – Lily Hall (UK)

17. 3. 2017

Jury – Barnabás Bencsik (HU)

17. 3. 2017

Jury – Dorota Kenderová (SK)

17. 3. 2017

Jury – Michal Novotný (CZ)

17. 3. 2017

Jury – Kiki Petratou (GR/NL)

15. 3. 2017

Open call!

Katarína Hrušková

www.katarinahruskova.com

CV

* 1984 Ružomberok

EDUCATION: 2014 Royal College of Art, London, (MA); 2010 Gerrit Rietveld Academie, Amsterdam, (BFA)

GROUP EXHIBITIONS: 2019 – Between Aeaea and the Rocks of Scylla, The Horse Hospital, London, UK, screening/event, curated by Alix Marie and A---Z; 2018/19 – This is just what I saw, Martin Hall, Loughborough, UK, in collaboration with Dr Sarah Mills, Comissioned by LU Arts/ Radar; Useful Photography, Slovak National Gallery, Bratislava, SK, curated by Aurel Hrabusicky, Filip Vanco; Porous Whispers, Obroncow Stalingradu 17, Szczecin, PL, duo show w. Miroslava Vecerova, curated by Zlatka Boruvkova; 2018 – THE SKIN OF THE EYE - ACT I, Vermillion Sands, Copenhagen, DK, screening, curated by Elizabeth Molin; Sign just under the skin, House of Egorn, Berlin, DE, curated by Angels Miralda and Catherine Parsonage; 2017 – Oskar Cepan Award, Nitrianska Galeria, SK; Black Tower Opening Night, Black Tower Projects, London, UK, site specific reading, curated by Philip Serfaty; Od Knihy Ku Knihe, Galerie TIC, Brno, CZ, curated by Banska St a nica Contemporary; Katarina Hruskova + APART Collective; The National Welding Institute, Bratislava, SK, a reading; SELBST, Institut für Bienezucht, London, UK; Skin of the Eye, Zona Mista, London, UK, screening event; 2016 – Ichor, Danielle Arnaud Gallery, London, UK; 'Export', Galeria Krokus, Bratislava, SK; 'My Back is All Around Me', The Bluecoat, Liverpool, performance accompanying 'Left Hand To Back of Head, Object Held Against Right Thigh'; 2015 – 'The Edge is a Surface', Galerie Off/Format, Brno, CZ, joint exhibition with Lucia Scerankova; 'Hot Water Only', Unit 1, London, UK, reading/ site specific text at 'Tara has no rooms inside'; 2014 – « ECHO », The Function Room, London, UK; 'As Well', Galerie Pavilon, Prague, CZ, reading/ site specific text; 'L N DN', Zahorian &co Gallery, Bratislava, SK; 'All Silent But For The Broadcast', Curated by the graduating students of the, Curating Contemporary Art MA Programme at the Royal College of Art, London, UK, radio broadcast; Show RCA, 2014, Royal College of Art, London, UK, graduation exhibition; 2013 –'Der Schein', Kestnergesellschaft, Hannover, Germany;'Rural', Red Gallery, London, UK; 'Ja Natuurlijk', GEM, Den Haag, NL; 2012 – 'The Discovery of Slowness II', Tranzit Bratislava + Galeria HIT, Bratislava, SK; 'Kalene Sklo', Galeria +/- 0.0, Zilina, SK; Kunstvlaai, a presentation of Berm Collectief, Amsterdam, NL, festival of independents; 'Facing Youth', Encontros Da Imagem, Braga, PT; 'I carry a tiny knife', Weekender, Amsterdam, NL, audio/ performance; 'Unfolding', Galerie Paul Andriesse, Amsterdam, NL, (curated by Melchior Jaspers & Rosa Kieft); 'Cloak the Moon', Embassy of the Slovak Republic, London, UK, joint exhibition with Lucia Scerankova; 'Green Marble', Photoport Gallery, Bratislava, SK, book launch; 2011 – 'The Discovery of Slowness', Hit Gallery at Tabacka, Kosice, SK; "4", Galerie 2, Prague Quadrennial, Prague, CZ, a collaboration with Tomas Dzadon...

SOLO EXHIBITIONS: 2019 – Slane Dutiny/ Salty Hollows, Galeria Jozefa Kollara, SK; Cumulus Root, Karlin Studios, Prague, CZ, curated by Caroline Krzyszton, text by Lukas Likavcan; 2018 – The waning yolk, Swiss Cottage Gallery, London, UK, curated by Roos van Mierlo and Philip Serfaty...

AWARDS, ARTIST RESIDENCES: 2018/19 – Marion Richardson Commission for Radar (LU ARTS) in collaboration with Dr. Sarah Mills; Stipend of the Slovak Arts Council; 2017 – Oskar Cepan Award, YVAA; 2013 – European Schools Photography Award (runner up); 2012 – 'Flint House' commission, Waddesdon..

Statement

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Curatorial statement

Katarína Hrušková (1984) works with photography, video, text, sound, and spoken word. Thematically, she addresses mundane, often overlooked objects and situations, using them to represent the need for a comfort zone and, at the same time, efforts made to move out of it.