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Katarína Hrušková

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Nik Timková

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Katarína Hrušková

www.katarinahruskova.com

CV

* 1984 Ružomberok

2014 Royal College of Art, London, (MA); 2010 Gerrit Rietveld Academie, Amsterdam, (BFA)

SOLO EXHIBITIONS: 2019 Slane Dutiny/ Salty Hollows, Galeria Jozefa Kollara, SK; Cumulus Root, Karlin Studios, Prague, CZ, curated by Caroline Krzyszton, text by Lukas Likavcan; 2018 The waning yolk, Swiss Cottage Gallery, London, UK, curated by Roos van Mierlo and Philip Serfaty;

GROUP EXHIBITIONS: 2019 Between Aeaea and the Rocks of Scylla, The Horse Hospital, London, UK, screening/event, curated by Alix Marie and A---Z; This is just what I saw, Martin Hall, Loughborough, UK, in collaboration with Dr Sarah Mills, 2018/19, comissioned by LU Arts/ Radar; Useful Photography, Slovak National Gallery, Bratislava, SK, curated by Aurel Hrabusicky, Filip Vanco; Porous Whispers, Obroncow Stalingradu 17, Szczecin, PL; duo show w. Miroslava Vecerova, curated by Zlatka Boruvkova; 2018 THE SKIN OF THE EYE - ACT I, Vermillion Sands, Copenhagen, DK; screening, curated by Elizabeth Molin; Sign just under the skin, House of Egorn, Berlin, DE, curated by Angels Miralda and Catherine Parsonage; 2017 Oskar Cepan Award, Nitrianska Galeria, Slovakia; Black Tower Opening Night, Black Tower Projects, London, UK, site specific reading, curated by Philip Serfaty; Od Knihy Ku Knihe, Galerie TIC, Brno, Czech Republic, curated by Banska St a nica Contemporary; Katarina Hruskova + APART Collective; The National Welding Institute, Bratislava, Slovakia, a reading; SELBST, Institut für Bienezucht, London, UK; Skin of the Eye, Zona Mista, London, UK, screening event; 2016 Ichor, Danielle Arnaud Gallery, London, UK; 'Export', Galeria Krokus, Bratislava, Slovakia; 'My Back is All Around Me', The Bluecoat, Liverpool, performance accompanying 'Left Hand To Back of Head, Object Held Against Right Thigh'; 2015 'The Edge is a Surface', Galerie Off/Format, Brno, Czech Republic, joint exhibition with Lucia Scerankova; 'Hot Water Only', Unit 1, London, UK, reading/ site specific text at 'Tara has no rooms inside'; 2014 « ECHO », The Function Room, London, UK; 'As Well', Galerie Pavilon, Prague, Czech Republic,, reading/ site specific text; 'L N DN', Zahorian &co Gallery, Bratislava, Slovakia;'All Silent But For The Broadcast', Curated by the graduating students of the , Curating Contemporary Art MA Programme at the Royal College of Art, London, UK, radio broadcast; Show RCA, 2014, Royal College of Art, London, UK, graduation exhibition; 2013 'Der Schein', Kestnergesellschaft, Hannover, Germany;'Rural', Red Gallery, London, UK;'Ja Natuurlijk', GEM, Den Haag, The Netherlands; 2012 'The Discovery of Slowness II', Tranzit Bratislava + Galeria HIT, Bratislava, Slovakia'Kalene Sklo', Galeria +/- 0.0, Zilina, Slovakia; Kunstvlaai, a presentation of Berm Collectief, Amsterdam, The Netherlands, festival of independents;'Facing Youth', Encontros Da Imagem, Braga, Portugalm; 'I carry a tiny knife', Weekender, Amsterdam, The Netherlands, audio/ performance; 'Unfolding', Galerie Paul Andriesse, Amsterdam, The Netherlands, (curated by Melchior Jaspers & Rosa Kieft); 'Cloak the Moon', Embassy of the Slovak Republic, London, United Kingdom, joint exhibition with Lucia Scerankova; 'Green Marble', Photoport Gallery, Bratislava, Slovakia, book launch; 2011 'The Discovery of Slowness', Hit Gallery at Tabacka, Kosice, Slovakia; "4", Galerie 2, Prague Quadrennial, Prague, Czech Republic, a collaboration with Tomas Dzadon;

Stanovisko

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Kurátorský text

Katarína Hrušková svojím silným vizuálnym jazykom paralelne rozvíja dve línie. Hľadá spôsoby, ako sa písané a hovorené slovo môže správať ako vizuálne umenie a fotografia ako performance. V jej tvorbe je ukrytý zmysel intimity a nestálosti, zdôraznený prítomnosťou hovoreného slova a živého tela, ktorý uniká jasnej jazykovej interpretácii, ale zachováva silný estetický zmysel.