Oskár

Čepan

Award

About Partners SK/EN Log in

2026

2025

2024

2022

2021

2020

2019

2018

2017

2016

2015

2014

2013

2012

2011

2010

2009

2008

2007

2006

2005

2004

2003

2002

2001

2000

1999

1998

1997

Archive

29. 4. 2026

Andrej Kiripolsky

29. 4. 2026

Natália Šimonová

29. 4. 2026

Norbert Kuki

28. 4. 2026

Laureates of Oskár Čepan Award 2026

→ https://www.dropbox.com/scl/fi/u4hyns3lrf1p3oq0xzj5e/TS-CO-2026-laure-tstvo_28.4.2026.pdf?rlkey=gqc52dq0rl2sfm2xrhwomkk6r&st=0leyhq3k&dl=0

23. 4. 2026

Christina Li

23. 4. 2026

Noit Banai

23. 4. 2026

Vojtěch Novák

23. 4. 2026

William Stover

3. 3. 2026

OPEN CALL 2026

Laureate Natália Šimonová

Oskár Čepan Award 2026

Jury Statement: The work of Natália Šimonová opens with a deceptively simple choice of material: rust, and from that choice, a practice of remarkable depth and conceptual coherence unfolds. Rust, in Šimonová's artworks, mirrors the decaying infrastructures of socialist public space, the slow erasure of collective memory, the quiet violence of things left to deteriorate. Her research-driven investigation moves with equal attentiveness between the microscopic trace left on a surface and the broader question of what the abandonment of shared civic space tells us about the present. She conceives of painting as an expanded field - processual, spatially reaching, never finished.

Natália Šimonová (b. 1995, Žiar nad Hronom) graduated in Painting from the Academy of Arts in Banská Bystrica in 2020, where she studied in the Open Studio of Painting under Rastislav Podoba. In 2025, she completed her doctoral studies under Jiří David. She was the laureate of the Painting of the Year Award (VÚB Foundation, 2020) and a finalist of the Strabag Artaward International (2021, Recognation prize) In 2024, she was a finalist of the Novum Foundation Award and one of the laureates of the Púpava Development competition; in 2025, she received the Slovak Rectors’ Conference Award for Art. Her work explores collective and personal memory, depicting motifs of urban architecture and its structures, such as socialist-era playgrounds. Her practice can be situated within expanded painting, characterized by a transgression of the traditional boundaries of the medium through spatial installation, interaction with the surrounding space, and active viewer engagement. She combines traditional and non-traditional media (charcoal, pastel, acrylic, oil, frottage, collage, décollage), with rust as a defining element. She lives and works in Prašice near Topoľčany.

Portrait: Martin Lacko